The white cube of art: is music and images in different skreens/monitorings randomly presented by FRAC Blenno gallerie and Krema malaria, making a limitless video/music clip
https://fracblenno.tumblr.com/
https://al-die.tumblr.com/
13 juil. 2021
the white cube art, music and images by Blenno gallerie
24 juin 2020
film, La petite paire des peuples june 2020
film1 blenno for la petite paire
film2 Thomas nolagos
and the Petite paire, the film the petite paire tumblr
1918
film2 Thomas nolagos
and the Petite paire, the film the petite paire tumblr
1918
12 janv. 2020
13 déc. 2019
Blenno in Bangkok thailand!
Neighbours 0.7
�Present CHINABOT
19 DECEMBER 2019
�09:00 PM - 01:00 PM�
at De commune
TICKET 350 THB
Line up :�
LAFIDKI //LIVE (CAMBODIA)
MSHR//LIVE (US)
PISITAKUN// LIVE (TH)
Blenno die Wurstbrücke//LIVE (FR)
Helena noh // BUTOH DANCE (KR)�————————————
LAFIDKI //CAMBODIA
LAFIDKI is a London-based sound/visual artist, and founder of Chinabot, a platform and collective created to change the dialogue surrounding Asian music. LAFIDKI is the moniker of Saphy Vong, who has been releasing experimental electronic since 2008. He was born in a refugee camp in Phanat Nikhon (Thailand) to Cambodian refugee parents who fled Pol Pot's regime and was raised in France. He released his EP ‘Absynthax’ via Orange Milk records. He's a sound artist and conceptual collagist who performs around the world. His music is an confluence of ideas, synthesising multiple underrepresented histories, geographies, musical genres and cultural signifiers into compelling, colourful sonic material that packs contemporaneous dancefloor weight.��LAFIDKI last album Derichan explores the rituals and traditions of his Cambodian heritage while protesting the repression increasingly prevalent in the country.A key inspiration for Derichan is the more than 20 ethnic groups residing in Cambodia’s uplands and mountains whose unique cultures, languages and histories are at risk.Derichan is a record of bombastic, widescreen synthesis. But it weaves itself into a broader narrative of preserving identity in the face of oppression and homogenisation.
LAFIDKI has played at a number of international festivals: Donau Festival 2018 (Krems), VIA 2012 (Pittsburgh), Nuit blanche - French Institute 2016 (Kyoto/Japan), represented Cambodia at Tallinn Music Week. He has shared stage with Hype Williams, KXP, Tzusing, James Ferraro, Nightmares on Wax, Molly Nilsson, Andy Stott, Varg, Tropic of Cancer, Laurel Halo, Amnesia Scanner, Faka and James Holden.His music was played by BBC, NTS Radio..
LINK :
https://www.chinabot.co/
PERFROMANCES:
https://www.youtube.com/
MUSIC :
https://vimeo.com/
MSHR//US
MSHR is the art collective of Birch Cooper and Brenna Murphy. The duo collaboratively builds and explores systems composed of sound, light, sculpture, software and circuitry. Their practice is a self-transforming cybernetic entity with its outputs patched into its inputs, the resulting emergent form serving as its navigational system. These outputs primarily take the form of installations and performances that integrate interface design with generative systems and a distinctive formalist approach. MSHR's name is a modular acronym, designed to hold varied ideas over time.
MSHR emerged from the art collective Oregon Painting Society in 2011 in Portland, Oregon.
LINK:
mshr.info
PERFROMANCES :
https://www.youtube.com/
MUSIC:
https://vimeo.com/
==========================
PISITAKUN
PISITAKUN started making visual arts in 2009, and started playing music sometime later with an interest in how expressions shape under different media environments. Historical events, synthetic sounds, and musical instruments inspire his songs. Pisitakun's practice represents a decisive break from many of his Thai peers in time when the country's history unfolds under an ongoing martial law since the military coup d'état on 22 May 2014-- he questions fundamental and increasingly universal values without merely decrying the fact of corruption or offering neat palliatives. His works are based on political speculation and the external and internal frustrations artists are subject to.
website : https://www.chinabot.co/
Soundcloud : https://soundcloud.com/
CTM FESTIVAL 2019 :�https://
==========================
Blenno die Wurstbrücke//FR
Comprarable to action painting i make a self constructed performative setting
with element of absurdist theater, comic strip and arte povera. Most of the time
i use what i get in the place i arrive to make all the performance: The
scénographie, the dress, masks , collage, and music (instrument) so differrent
lattitude diferent show! I tested my music (my show) at the bigining on the
street just like a anarchist "demonstration" or like a mystical dervish begger.
For that i was invited (for example) several time in thereran by some
underground gallery To
work and show what could be possible to do with scab we find in every city and
how to make some noise in policed state (like in the TAZ theories).
so i'am more a sort of noise-ambient musician that usually use
theatralisation installation to perfect the effect of the music (an
other application)
LINK:
https://www.youtube.com/
https://www.youtube.com/
https://www.youtube.com/
PERFROMANCES :
https://www.youtube.com/
==========================
Helena noh // BUTOH DANCE (KR)
LINK:
https://
PERFROMANCES :
https://www.youtube.com/
�Present CHINABOT
19 DECEMBER 2019
�09:00 PM - 01:00 PM�
at De commune
TICKET 350 THB
Line up :�
LAFIDKI //LIVE (CAMBODIA)
MSHR//LIVE (US)
PISITAKUN// LIVE (TH)
Blenno die Wurstbrücke//LIVE (FR)
Helena noh // BUTOH DANCE (KR)�————————————
LAFIDKI //CAMBODIA
LAFIDKI is a London-based sound/visual artist, and founder of Chinabot, a platform and collective created to change the dialogue surrounding Asian music. LAFIDKI is the moniker of Saphy Vong, who has been releasing experimental electronic since 2008. He was born in a refugee camp in Phanat Nikhon (Thailand) to Cambodian refugee parents who fled Pol Pot's regime and was raised in France. He released his EP ‘Absynthax’ via Orange Milk records. He's a sound artist and conceptual collagist who performs around the world. His music is an confluence of ideas, synthesising multiple underrepresented histories, geographies, musical genres and cultural signifiers into compelling, colourful sonic material that packs contemporaneous dancefloor weight.��LAFIDKI last album Derichan explores the rituals and traditions of his Cambodian heritage while protesting the repression increasingly prevalent in the country.A key inspiration for Derichan is the more than 20 ethnic groups residing in Cambodia’s uplands and mountains whose unique cultures, languages and histories are at risk.Derichan is a record of bombastic, widescreen synthesis. But it weaves itself into a broader narrative of preserving identity in the face of oppression and homogenisation.
LAFIDKI has played at a number of international festivals: Donau Festival 2018 (Krems), VIA 2012 (Pittsburgh), Nuit blanche - French Institute 2016 (Kyoto/Japan), represented Cambodia at Tallinn Music Week. He has shared stage with Hype Williams, KXP, Tzusing, James Ferraro, Nightmares on Wax, Molly Nilsson, Andy Stott, Varg, Tropic of Cancer, Laurel Halo, Amnesia Scanner, Faka and James Holden.His music was played by BBC, NTS Radio..
LINK :
https://www.chinabot.co/
PERFROMANCES:
https://www.youtube.com/
MUSIC :
https://vimeo.com/
MSHR//US
MSHR is the art collective of Birch Cooper and Brenna Murphy. The duo collaboratively builds and explores systems composed of sound, light, sculpture, software and circuitry. Their practice is a self-transforming cybernetic entity with its outputs patched into its inputs, the resulting emergent form serving as its navigational system. These outputs primarily take the form of installations and performances that integrate interface design with generative systems and a distinctive formalist approach. MSHR's name is a modular acronym, designed to hold varied ideas over time.
MSHR emerged from the art collective Oregon Painting Society in 2011 in Portland, Oregon.
LINK:
mshr.info
PERFROMANCES :
https://www.youtube.com/
MUSIC:
https://vimeo.com/
==========================
PISITAKUN
PISITAKUN started making visual arts in 2009, and started playing music sometime later with an interest in how expressions shape under different media environments. Historical events, synthetic sounds, and musical instruments inspire his songs. Pisitakun's practice represents a decisive break from many of his Thai peers in time when the country's history unfolds under an ongoing martial law since the military coup d'état on 22 May 2014-- he questions fundamental and increasingly universal values without merely decrying the fact of corruption or offering neat palliatives. His works are based on political speculation and the external and internal frustrations artists are subject to.
website : https://www.chinabot.co/
Soundcloud : https://soundcloud.com/
CTM FESTIVAL 2019 :�https://
==========================
Blenno die Wurstbrücke//FR
Comprarable to action painting i make a self constructed performative setting
with element of absurdist theater, comic strip and arte povera. Most of the time
i use what i get in the place i arrive to make all the performance: The
scénographie, the dress, masks , collage, and music (instrument) so differrent
lattitude diferent show! I tested my music (my show) at the bigining on the
street just like a anarchist "demonstration" or like a mystical dervish begger.
For that i was invited (for example) several time in thereran by some
underground gallery To
work and show what could be possible to do with scab we find in every city and
how to make some noise in policed state (like in the TAZ theories).
so i'am more a sort of noise-ambient musician that usually use
theatralisation installation to perfect the effect of the music (an
other application)
LINK:
https://www.youtube.com/
https://www.youtube.com/
https://www.youtube.com/
PERFROMANCES :
https://www.youtube.com/
==========================
Helena noh // BUTOH DANCE (KR)
LINK:
https://
PERFROMANCES :
https://www.youtube.com/
12 déc. 2019
18 nov. 2019
dahearditrecords tour at L'acceuil froid Amiens October 2019
dahearditrecords tour at L'acceuil froid Amiens October 2019
14 nov. 2019
Seoul at PAL gallery video
13 oct. 2019
29 juil. 2019
Vegan noise
Film and draw By Clémentine Poquet music By Blenno die wurstbrucke for a live show and dance France THERE
11 juil. 2019
4 juin 2019
Heyeon° Film by Blenno die wurstbrucke in Korea
"I don’t even want to know that there were men before me" (Descartes),
"but some essential & simple laws, pathetic & muffled fermentation of a solid earth." (Tristan Tzara).
"I abhor to enter a house where the balconies, the "ornaments", are carefully stuck to the wall. Yet the sun, the stars continue to vibrate and hum freely in space, but I loathe to identify the explanatory hypotheses (asphyxiant probable) with the principle of life, activity, certainty. " (Tristan Tzara again!!)
..... "we are God only for the country of our knowledge, in the laws according to which we live experience on this earth, on both sides of our equator, inside our borders. Perfect example of the infinite we can control: the sphere."......."Drill a hole about a mile into the earth and drop a microphone to within a few feet of the bottom.- (dance over to comunicate your pleasure of throwing something into the hole)- Mount the amplifier and speaker in a very large empty room and adjust the volume to make audible any sounds that might come from the cavity. " Bruce Nauman
and......"Tristan Tzara said: “Poetry is for everyone.”
And André Breton called him a cop and expelled him from the movement. Say it again: “Poetry is for everyone.”" William Burroughs End of name dropping!
26 mai 2019
Blenno with joe Kisser and banque de jeux de pharaon
https://www.youtube.com/watch?v=XVoUPUsdjKI
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